Third instalment of a ongoing Uni project looking into the key techniques of compositing. This time I looked at 3D camera tracking aka match moving.

This is something that I am fairly familiar with as I did some camera tracking last year for a personal project. This time round I managed to get much better track results probably due to the fact that the shots are clearer.

First part of the video shows the examples of successful camera tracks, second part is a brief run through of the tracking process.

Artefact Three from Rob Antill on Vimeo.

Note that this project was focused on getting a good track and not realism of the final composite, artefact four will focus more on the realism of a composite with the use of HDR maps, texturing etc..

Music by:

The Flashbulb – Sangari 7